| Language | Ancient South Arabian » Sabaic » Early Sabaic | ||
| Script | Ancient South Arabian | ||
| Script typology | Monumental writing | ||
| Text direction | Right-to-left | ||
| Text appearance | Recessed | ||
| Execution technique | Incision | ||
| Measure of letters | 6 | ||
| Chronology |
| ||
| Textual typology | Dedicatory text |
| English | |
1 ʾlʿz son of Ṣrḥm dedicated to ʿṯtr Bʾs¹n, by ʾlmqh and by Ydʿs¹mhw 2 and by ʿṯtr ḏ-Rgmt and by ʾḫḫtn and by Ydʿʾl and by Wtrʾl. |
| Deposit | Ṣanʿāʾ, The National Museum, YM 28823 |
| Support type | Artefact » Offering table » With bull head as gutter |
| Material | Stone |
| Dimensions | h. 19, w. 41, th. 48 |
| Link to object record |
| Modern site | Kharibat Hamdān |
| Ancient site | Hrm |
| Geographical area | Jawf - Wādī Madhab |
| Country | Yemen |
| Link to site record |
| Arbach and Audouin 2007: 44-45 (photo) | Arbach, Mounir and Audouin, Rémy 2007. Collection of Epigraphic and Archaeological Artifacts from al-Jawf Sites. Ṣanʿâʾ National Museum. 2. Ṣanʿāʾ: UNESCO-SFD / Ṣanʿāʾ: National Museum. [Text in English and Arabic] |
| Robin 2010 b | Robin, Christian J. 2010. Nagrān vers l'époque du massacre: notes sur l'histoire politique, économique et institutionnelle et sur l'introduction du christianisme (avec un réexamen du Martyre d'Azqīr). Pages 39-106 in Joëlle Beaucamp, Françoise Briquel-Chatonnet and Christian J. Robin (eds). Juifs et chrétiens en Arabie aux Ve et VIe siècles. Regards croisés sur les sources. Joëlle Beaucamp, Françoise Briquel-Chatonnet and Christian J. Robin (eds), Le massacre de Najrân. Religion et politique en Arabie du Sud au VIe siècle. 32. (Travaux et mémoires du Centre de recherche d’histoire et civilisation de Byzance. Monographies). Paris: Association des amis du Centre d'histoire et civilisation de Byzance. |
| Rossi 2022: 256-257, 481, fig. 49 | Rossi, Irene 2022. The city-states of the Jawf at the dawn of Ancient South Arabian history (8th-6th centuries BCE). II. Corpus of the inscriptions. (Arabia Antica, 17/2). Roma: «L'Erma» di Bretschneider. |