| Language | Ancient South Arabian » Minaic » Central Minaic | ||
| Script | Ancient South Arabian | ||
| Script typology | Monumental writing | ||
| Text direction | Right-to-left | ||
| Text appearance | Recessed | ||
| Execution technique | Incision | ||
| Chronology |
| ||
| Royal inscription | Yes |
| Deposit | Ṣanʿāʾ, General Organization for Antiquities and Museums |
| Support type | Artefact » Throne |
| Material | Stone |
| Link to object record |
| Modern site | Kharibat Hamdān |
| Ancient site | Hrm |
| Geographical area | Jawf - Wādī Madhab |
| Country | Yemen |
| Notes | The throne was issued from illegal excavations at the ancient site of Haram (Arbach, Rossi 2020: 22, n. 32). |
| Link to site record |
| Robin 2012 a: 62 | Robin, Christian J. 2012. Matériaux pour une typologie des divinités arabiques et de leurs représentations.. Pages 7-118 in Isabelle Sachet (ed.). Dieux et déesses d'Arabie. Images et représentations. Actes de la table ronde tenue au Collège de France (Paris) les 1er et 2 octobre 2007. Paris: De Boccard. [en collaboration avec Christian Julien Robin] |
| Antonini de Maigret 2012: 48, 72, fig. 45 | Antonini de Maigret, Sabina 2012. South Arabian art. Art history in pre-Islamic Yemen. (Orient & Méditerranée, 10). Paris: De Boccard. |
| Arbach and Rossi 2020: 22, n. 32, 23, fig. 3 | Arbach, Mounir and Rossi, Irene 2020. Haram, cité antique du Jawf (Yémen): quelques bribes de dix siècles d'histoire et nouveaux textes amīrites. Semitica et Classica, 13: 19-47. 2024/01/13; https://dx.doi.org/10.1484/J.SEC.5.122979. |
| Arbach 2022: 86, fig. 27 | Arbach, Mounir 2022. The city-states of the Jawf at the dawn of Ancient South Arabian history (8th-6th centuries BCE). I. From cities to kingdoms. (Arabia Antica, 17/1). Roma: «L'Erma» di Bretschneider. 2025/12/29; https://doi.org/10.48255/9788891322920. |
| Rossi 2022: 286 | Rossi, Irene 2022. The city-states of the Jawf at the dawn of Ancient South Arabian history (8th-6th centuries BCE). II. Corpus of the inscriptions. (Arabia Antica, 17/2). Roma: «L'Erma» di Bretschneider. |